peteg's blog

Seymour Centre: Which Way Home by Katie Beckett (Ilbijerri Theatre Company).

/noise/theatre | Link

Something of a freebie from ShowFilmFirst, who pocketed a $3 fee on 2018-07-19. Reginald Theatre, front-row seat A14, 7:30pm, a bit packed. I walked there and back on a mostly fine day; just a few splodges of rain later in the evening. Beforehand I pigged out on dumplings at Taste Legend, which always seems like a good idea until the food shows up.

The set for this piece has clearly been ported around Australia. The various boxes serve as a car that takes Tash (playwright/actress Katie Beckett) and her father (a preternaturally calm Djordon King) from somewhere in Queensland to northern New South Wales, at some point passing along the Darren Lockyer Way. Yes, they're Broncos and State of Origin partisans, and yet their Country is in another State. Along the way the conversation and flashbacks touch on many themes, but never digs too deep; for instance, the hypocrisy of the father's needs as a man set against Tash's growing womanhood. Oftentimes this work echoes the inarticulate masculinity of Erskineville Kings.

Quite near by seat was a pile of sand, with more flowing from the scaffolding, used to evoke the famous image of Gough Whitlam and Vincent Lingiari. That is perhaps what makes this work so out of tune with Sydney: the lack of cynicism.

Jason Blake says it was better last year, at Belvoir. Nicole Elphick provides more details.

Takashi Hiraide: The Guest Cat.

/noise/books | Link

Kindle. Another Japanese cat story. This one is mercifully short. The cat herself is mostly a fashion accessory to a couple who decide to quit their publishing industry jobs in the late 1980s for lifestyle reasons. The observations about the boom of the property market in Japan around then are like Sydney now: the prices, the decrepit rentals, stagnancy, the coming crash.

Nicholas Lezard.