peteg's blog - noise - movies - 2012 05 18 Shame

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A Steve McQueen inessential, despite the masterly long takes. Too much Michael Fassbender proves to be too much. There is a vacuum at the heart of this movie where his character should be, and it is therefore tempting to compare it to Bateman in American Psycho, or the ranginess of Dimitriades in Head On, where a slog through the night stands in for a journey through inner space. This is somewhat painful as Fassbender makes it clear that Brandon has something to say, though perhaps it is beyond him to actually do so; compulsiveness is monotonous. I guess one could think of this as a New York reflection of his earlier effort in Essex.

Carey Mulligan reminded me of Gemma Arterton in The Disappearance of Alice Creed, game but more symbol than woman. (The list of "if you didn't like this you might also not like..." movies is too long.)

Dana Stevens is on the money, as are Stephanie Zacharek and Anthony Lane.

Even so, I am wondering what is next for Steve McQueen; Twelve Years a Slave is scheduled to be made in 2013.