The Haunting

dir. jan de bont
st. liam neeson, catherine zeta-jones, lili taylor, owen wilson

Some houses are born bad and so are some films. Here is yet another remake, this time of the generally overrated 1963 The Haunting, based on Shirley Jackson's book 'The Haunting of Hill House'. Jan de Bont's interpretation appears to exist to show off an impressive house, imaginative set design and the special effects, and as with so many films of recent years, the film is all style and no substance. Who keeps propagating the belief that special effects are a suitable replacement for story and characters? Why can't we have both?

Liam Neeson is uninspiring as a docter studying fear and insomnia in a group of people at Hill House. The subjects include Catherine Zeta-Jones, unneeded as she walks through yet another sex object role, the emotionally vulnerable and incredibly dull Lili Taylor, and the annoying and pointless Owen Wilson. The house is haunted by it's builder, Hugh Crain, his second wife, and the hundreds of children he killed last century. The first hour is little but an excuse for the characters to roam around the house so we can be astounded by the interior. Eventually the horror starts, or at least the horror is meant to start, sadly it never does and we spend the rest of the film wondering where the terror or suspense is.

Taylor is susceptible to the poltergeists of the house and as the movie progresses she works to free the spirits of the trapped children by fighting the evil Hugh Crain who controls the house. The final confrontation is a nonevent and there are so many unanswered questions…How did the children die? Why is the presence in the house so big? Why is this film rated M? Etc. I can't express how boring this film even when it bursts into a Lovecraftian style evil presence. The ads for this film make it seem so good (because they highlight the house and not the story or the evil presence), but the Haunting could be the worst haunted house film ever made.

This is the first of the run of horror films expected in our cinemas. I hope The Sixth Sense, Stigmata, The Blair Witch Project, Bringing Out the Dead, etc are more exciting, innovative, interesting or at least watchable. I saw this film at the Drive-In (they still exist in Brisbane) where there were two screens and found myself constantly distracted and looking out the rear window at the other film, and it was Big Daddy! The Haunting was part of a double feature with The Mummy, and I am wondering if The Mummy was actually good or just seemed good in comparison to The Haunting.

sebastian niemand
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