peteg's blog

Paul Keating interviewed by Kerry O'Brien on the ABC.

/noise/politics | Link

The timing of the screening of these interviews surely did the ABC no favours. Keating himself is mostly in fine form and O'Brien sometimes manages to keep him to account, which is impressive in its own way. I certainly miss Keating's efforts at communicating his vision and policy agenda to the public at large; the last three governments came to power as policy-free as possible, having learnt from his doing Hewson slowly. Gillard's recent travails demonstrate that the ALP cannot then switch on the sales pitch and charm. I wondered why Anna left him and what he's been doing since. The piggery did not get a look-in.

Kill Your Darlings

/noise/movies | Link

Idling on a Sunday evening at the Verona at 9pm. About five people in the audience. Who is the more plausible Ginsberg: a brave but bewildered Daniel Radcliffe or the more assured James Franco of Howl? Jennifer Jason Leigh plays his mother in an egoless performance; the scene at the end of her and Radcliffe lounging on the grass evoked her young self (e.g. Fast times at Ridgemont High). Elizabeth Olsen was fine; no idea what opprobrium she draws. This is the story of Ginsberg meeting William S. Burroughs (an excellent Ben Foster) and Jack Kerouac (Jack Huston) at Columbia and thereabouts. The glue is Lucien Carr (Dane DeHaan) whose troubled life structures the narrative. Michael C. Hall plays David Kammerer as Philip Seymour Hoffman. The story stops just before Howl (I think), after Ginsberg is ejected from Columbia.

The Australian Chamber Orchestra at the Sydney Opera House: Bach Brandenburg Concertos

/noise/music | Link

My Christmas present to myself. They played four Bach Brandenburg Concertos: No. 1 in F major (BWV1046), No. 6 in B flat major (BWV1051), No. 2 in F major (BWV1047) and No. 3 in G major (BWV1048). For an encore they played the final (third) movement of No. 4 in G major (BWV1049). I enjoyed No. 6 the most, perhaps because it was a much smaller ensemble and the two blokes (Christopher Moore and Alexandru-Mihai Bota) leading on violas (no violins) enjoyed themselves so much. I was sitting in the front row of the choir, which was a mixed blessing; the hunting horns pointed backwards so they tended to blot out the rest of the instruments. The couple sitting next to me told me I was sitting where Barbara usually sits, and presumably her health issues prevented her coming today. Overall I'd prefer to buy a recording and listen to it multiple times than go to this kind of concert, if only because (irritatingly) the familiar bits were the best.