A Mike Leigh effort from 1999, and one of the last of his features for me to see. Many of his usual cast (Jim Broadbent, Timothy Spall, Lesley Manville, also Trainspotters Kevin McKidd and Shirley Henderson) participate in this portrayal of what may have been a pivotal point in the creative partnership of Gilbert and Sullivan. It's not at all my thing but there are loads of fine details to enjoy and the performances are uniformly excellent.
Kindle. At a loose end for something to read, I picked this one up on the strength of Greene and it being on some list of 100 great English-language novels of the twentieth century. As always it's cinematic, just waiting to be shot. Somewhere on the coast of Africa, policeman Scobie is a similar character to George Smiley: a certain kind of wise Englishman who's hoping to go to a quiet grave having found his situation and making peace with an unsatisfied wife. The booze certainly helps. There are shades of A Quiet American: some intrigue, probity, corruption, cluelessness. But really, like The Power and the Glory, it centres on how Catholic theology ties ones hands: Greene has it that one must save one's own soul even at the potential cost of others'. Perhaps this was Greene-the-convert himself working it out in public.
Orwell nailed it in his review for The New Yorker: "Scobie is incredible because the two halves of him do not fit together. If he were capable of getting into the kind of mess that is described, he would have got into it years earlier." (etc)