Kindle. Brief and not very frightening as it reads like a fascist scarer of days long dead. Having one group of oppressed people being saved from their oppressors by another group oppressing the oppressors is lame. Conveniently the Führer-figure spontaneously combusts during the intervention. This is the first Saunders effort I've read, and I can see how he might appeal with some funny stuff in the small.
Eric Weinberger is dead right that this sounds like a work out of time.
Third time around with this perplexingly poor movie, and I still don't remember a thing — except that American Jesus Tom Hanks goes out dumb. The cast is stellar (Paul Newman, Jude Law, Daniel Craig, Dylan Baker in yet another thankless role, Jennifer Jason Leigh, Ned Rifle Liam Aiken), cinematographer Conrad L. Hall got an Oscar for his beautiful compositions, but the whole is not much. It's winter 1931, somewhere out in Midwest Irish gangstaland where we're supposed to know prohibition is allowing the speakeasies to do huge business. Two — no three! — sons and the patriarch, and the over-patriarch and so forth try to convince us that the ultraviolent Hanks is doing the decent thing by murdering people so his own family can eat, and later shielding his son from needing to do similar. It's a busted premise. I don't think director Sam Mendes is entirely to blame for its lifelessness.
