I haven't seen this Hal Hartley effort in about six years. It is probably the weakest of his first four features, which isn't saying a hell of a lot really. Always great to see Martin Donovan, Bill Sage, Karen Sillas... and that artificiality peculiar to Hartley. As a series of small-scale vignettes, the overarching plot and narrative are largely immaterial, just like how it ends or where it goes.