The second movie of the night, completely breaking the rules of the moment; I guess I can't face Murakami right now. Many people at IMDB point to this as the source material for Drive (alongside the late 1970s The Driver.) James Caan is awesome here, especially in a triple of early scenes opposite Tuesday Weld. Some of the cinematography is excellent; the neon reflected from the hood of a car cruising to destiny is something to see.
Sweet to the point of saccharine. Benny & Joon themselves are realistic enough but if the solution to their situation is Johnny Depp then we are all in deep trouble. Set somewhere in Washington State; Spokane? Deer Park? A segue from a review of the new Depp movie The Lone Ranger, which is apparently an unnecessary exhumation.
