Kindle. This is the third of Nadeem Aslam's I've read, after The Blind Man's Garden and Season of the Rainbirds. The themes are his usual: the faultlines of contemporary Pakistan with a particular emphasis on the lives of its liberal elites. The focal couple are well-to-do Muslim architects who share what they have with a low-caste Christian family. Much is made of a book that seems to record what Aslam regards as the sum total of human experience. Bad stuff happens and Aslam doesn't so much shield us from it as elude banality. Again his prose tends to the workmanlike.
Francine Prose at the New York Times. Matthew Wright is right that Aslam's politics comes across as simplistic, almost naive.
Probably third time around with this Polanski/Nicholson classic. Water shenanigans in Los Angeles, how very topical. Prompted by Janet Maslin's review of a book on its making. Somehow still rated #150 in the IMDB top-250.
Roger Ebert at the time and in 2000. Vincent Canby was less impressed. Both observe John Huston as a link to the original American noirs of the 1930s.