Kindle. Parul Sehgal sold it to me: as she says, these are unruly fairy stories of a feminist, disreputable, occasionally shameless kind. The writing is fine and sometimes fun; othertimes it feels like B-grade horror. The central Especially Heinous seemed like a riff not just on Law & Order but also the fluid identities, incarnated magic, misogyny and untidy storylines of David Lynch's Twin Peaks. I found The Resident a less effective or telling piece of semi-autobiographical writing-about-writing than Nam Le's Love and Honour and Pity and Pride and Compassion and Sacrifice. I took Inventory to be trying to tell desperate people's biographies through short-term commitment-free sexual encounters, which is too narrow a window to satisfy.