I guess this movie had to be be made, after 24 hour party people. David Bowie's Aladdin Sane makes a welcome appearance (and noise) in the opening scenes.
As you'd expect from Corbijn, the cinematography is beautiful, with many segments being moving photographs (where the camera has a fixed focus).
I quite enjoyed it after waiting more than six months to see it, though as a biography it felt a bit hollow.
