Ben Kenigsberg at the New York Times. There aren't too many ideas on the table, and the blood sprays are pure new wave Korean cinema. Lee Jeong-beom’s shade of red is not as stylish as Park Chan-Wook's, and nothing here is as memorable as Oldboy.
Ben Kenigsberg at the New York Times. There aren't too many ideas on the table, and the blood sprays are pure new wave Korean cinema. Lee Jeong-beom’s shade of red is not as stylish as Park Chan-Wook's, and nothing here is as memorable as Oldboy.