Yeah, a Pixar animation from last year. Notionally the young girl Riley (looking a lot like Marissa Mayer) is driven by a coterie of five emotion-personalities. I don't think that (all of) those emotions are canonical, or even interesting. (Where is fascination ala David Bowie?) These inhabit headquarters, which struck me as being the I/O tower in Tron. I didn't recognise Kyle MacLachlan as Dad. The credits were the best: the bus driver is all Anger (which is easily the best of Riley's emotion-personalities too), and nothing is driving the cat.
Dana Stevens got right into it. Is she really saying that this reductionist trivialization of emotion is somehow the height of insight?