Casey Affleck is clearly the man for this job, and Michelle Williams makes the most of her limited screen time. It's good, and I have to wonder why Ben Affleck didn't try for something like this instead of continuing to trawl Lehane's oeuvre. Kyle Chandler in some ways anchors the thing. The structure is a bit Gone Girl, with some untelegraphed flashbacks that take some getting used to. There's something of Erskineville Kings here too. I wondered how the thing would resolve, and somehow the bleakness is OK. I'll be digging into the rest of Kenneth Lonergan's output presently.
Francine Prose wants to talk about life since Trump. Her conclusion is bleaker than the movie's. A. O. Scott is right, it's very funny, and quite geographically (Massachusetts) and socially (Catholic, white, male) specific. Anthony Lane. Dana Stevens is a bit off: Affleck's character is busted beyond repair. He's given up on himself, but honours his familial obligations.