At The Ritz, 8:45pm, $17 for an advanced screening. Cinema 2 was both larger and busier than I expected.
This is the latest fairy tale for adults from Guillermo del Toro. The draw was Sally Hawkins (last seen in Maudie), whose Elisa here is mute but not deaf, and Michael Shannon as a G-man; unfortunately he seems to have become typecast since The Iceman. I live in hope of him finding more diverse roles. Richard Jenkins as Elisa's mate gets the best lines, while Octavia Spencer as her other mate does her best to be an early champion of women's lib. Doug Jones does the creature perfectly.
I enjoyed it for the most part as a visual feast; there are many fine touches in the small and I wish I'd seen it on a larger screen. The plot is relentlessly formulaic (perhaps precisely that of Beauty and the Beast?). del Toro mixes in a bit of everything: some classic Hollywood on the TV, some tap dancing, a dance/musical scene, the Cold War at one of its peaks, crank science. The aesthetic is pure 1962 Aperture Science Labs (from Portal). At one point the seafood takes its revenge on a cat. Some of it is quite funny.
A. O. Scott. Dana Stevens is right: the opening shot is unmatched by the rest of the movie. Michael Wood. Won the 2018 Oscar for best movie, and also for best director.