A Tommy Lewis jag from The Proposition, long postponed because of the scarring inflicted by Thomas Keneally's book in high school. The story is an unsubtle railroad of blaxploitation. The editing is poor at times. Similarly the cinematography is intermittently decent but often it's too dark, quick or noisy to follow closely. Not really something that pleasant to watch.
Roger Ebert. Janet Maslin saw it more clearly; she concludes that the best bits recycle Walkabout. Much later Luke Buckmaster.