The second adaptation of a Claire Keegan short I've seen, the first being The Quiet Girl (2022). Directed by Belgian Tim Mielants.
The story runs adjacent to the Magdalene asylums scandal that apparently came to a head in the 1990s; here it looks like it's the 1970s or perhaps early 1980s when Irish omertà was experiencing its first cracks. Cillian Murphy works hard in the lead as a father of five girls in New Ross (southeast Ireland) whose softheartedness seems to be beyond the understanding of wife Eileen Walsh. She and publican Helen Behan operate on the basis of there but for the grace of God and cannot fathom why they would ever sacrifice their prosperity. Murphy counts his blessings a different way and we know he's a gonna when he discovers a young woman (Zara Devlin) locked in the convent's coal shed that he's being paid to refill, especially after an encounter with sinister Mother Superior Emily Watson.
One of the pleasures of this movie is that there's a lot of showing and not much telling, as if its makers trust their audience in a way that is entirely out of fashion now. The focus is always on the kids; the brokenness of Murphy's character is explored mostly in flashback, though his deep reservoirs of strength go unexplained. It is suggested that he is falling apart now after an extended period of robustness.
On the other hand I didn't enjoy much of the camerawork (by Frank van den Eeden) as I often struggled to understand if one character was looking at another, challenging or evading, and the layout of the buildings. The editing (by Alain Dessauvage) is often overly abrupt. The story itself is told with much fine detail but is not subtle; it is mostly a portrait of the man.
Luke Goodsell. He got the press pack: it's Christmas 1985. Murphy's "performance is a study in compassion and survival, in the ways one's own traumatic experience might lead to empathy instead of cyclical abuse." A Critic's Pick by Alissa Wilkinson. Both observe it's a gangster/mafia flick. Xan Brooks. Philippa Hawker.
